Tuesday 8 November 2011

Macbeth, Act 5

Scene 1
  • Lady Macbeth's insanity caused by guilt
  • is Lady Macbeth repeating conversations? or does she see Banquo's ghost?
  • repetition of washing hands
Scene 2
  • informed that battle will begin soon
  • short scene - increasing pace, building up to the battle. excitement.
Scene 3
  • opens with Macbeth preparing for battle
Scene 4
  • witches prophecy of the woods moving toward the castle is fulfilled.
  • Macduff and the English army at Birnhamwood
Scene 5:
  • Lady Macbeth dies: Macbeth is unemotional, he comments on how pointless life.
  • Macbeth has an epiphany - he thought all the bad things he had done were leading to something, but he realises that they were pointless
  • "life's but a walking shadow... upon the stage." Life is brief and death is inevitable.
  • Macbeth realises the witches didn't play a big a part as he thought
  • Macbeth is a puppet for the witches
  • His character is emotionally empty - sympathy from audience
  • he knows he is facing death: this is his final admission of all his mistakes and regrets
Scene 6
  • English army approach castle.
  • Short scene - anticipation for the battle
Scene 7 - 10
  • battle in the castle.
Scene 11
  • Macbeth is killed: his death is almost a relief for the audience
  • Morals can be installed back into Scotland

Friday 4 November 2011

Macbeth, Act 4

Scene 1
  • Opens with witches and a boiling cauldron
  • Hecat enters and compliments the witches on their work
  • Use of rhyming language by the witches - child-like, harmless - antithesis of what they represent
  • Macbeth enters, questioning the witches' powers
  • another prophecy - "Great Birnam Wood advances against him"
  • witches show Macbeth three apparitions representing the prophecies
Scene 2
  • Macduff has fled, leaving his wife and children
  • Ross attempts to comfort Lady Macduff, and after he leaves, she tells her son his father is dead
  • A messenger arrives warning Lady Macduff of danger, and that they should flee
  • Lady Macduff, her children, and all the servants in the Macduff castle are killed
Scene 3
  • Malcom tries to test Macduff's loyalty
  • Ross enters, and at first tells Macduff that his family are well
  • Ross confesses that Macbeth has murdered his wife and children
  • Malcom urges him to turn grief into anger
  • Macduff swears revenge on Macbeth

Macbeth, Act 3

Scene 1
  • opens with Banquo contemplating the witches prophecies.
  • How can Macbeth be King but then Banquo's line also be in line for the throne?
  • Macbeth soliloquy: cautious of Banquo.
  • "fruitless crown" and "barren sceptre" macsuline imagery, phallic. Can Macbeth have children? If not, is that why Banguo's children are in line to be King?
  • Macbeth meets with murderers, orders them to kill Banquo
Scene 2
  • Macbeth and Lady Macbeth appear distressed
  • Macbeth still feels threatened
Scene 3
  • Murderers kill Banquo, however his son, Fleance, witnesses it and flees
Scene 4
  • Macbeth learns that Banquo is dead, but Fleance got away
  • Banquo's ghost is sat in Macbeth's chair at the table, only seen by Macbeth.
  • Macbeth plans to go see the witches
Scene 5
  • opens on a heath, three witches and queen of the witches talk of Macbeth, and what has happened on previous meetings
Scene 6
  • Fleance is being accused of killing Banquo
  • Lennox plans to warn Macduff to stay in England

Thursday 20 October 2011

Macbeth, Act 2

Scene 1:
  • Opens at night: adds element of mystery and fear.
  • Banquo's dream of the witches add to the supernatural elements
  • Macbeth sililioquy main focus in the scene.

Scene 2:

  • Macbeth having trouble sleeping -> he has murdered sleep
  • Referring to himself as both Thane of Glamis and Cawdor may represent who he is now and who he used to be.
  • Lady Macbeth appears more human; fear of getting caught (line 10)
Scene 3:
  • Lady Macbeth acts shocked by death of Duncan; swooning, seen as fragile
  • Malcom and Donalbain appear to act unemotional: intelligence before emotion, cowardly
  • use of porter to open scene: adds comic element, reflection of macbeth's varying emotion, alcohol parallel to being King - drunk on power
Scene 4:
  • Suspicion falls on Donalbain and Malcom
  • Macbeth appears to have got away with the murder
  • Macbeth being made King is seen as a hasty decision - Ross and Macduff don' want to attend ceremony or swear allegiance

Sunday 9 October 2011

What is Gothic about 'Macbeth'?

Pathetic fallacy is used in the opening scene of Macbeth: the thunder and lightening are part of the metonymy of "doom and gloom" which suggests elements of mystery, danger and the supernatural, which all happens before we are even introduced to any characters. When the witches enter, they present the supernatural element to the play which would cause an air of mystery and pose a potential threat to the rest of the characters. Due to the short length of the scene, the audience are left with questions: who are the witches? what do they want with Macbeth? They represent the unknown, which is reflected in the lack of information we gain from them.

When the witches re-appear in Act 1 Scene 3, the dialogue instantly seems gruesome and evil, which gives an insight into the witches characteristics. When Macbeth and Banquo enter, the witches appear to know a lot about Macbeth, however he seems to have never seen or met them before. They also state a prophecy that Macbeth shall become King, however, the audience are then informed that Banquo's son is to become King: this leaves the audience questioning not only how it is possible that Macbeth will become King, but also how the witches know.

The dialogue throughout Scenes 2 and 3 exhibit not only how callous the witches are, but also indicates similarities between themselves and Macbeth. Macbeth is depicted as a war hero, however the audience may regard him as ruthless, just as they see the witches. These similar traits may suggest to the audience that Macbeth could be easily led astray by the witches and their prophecy.

Thursday 6 October 2011

Macbeth, Act 1

Scene 1
  • Introduction of the witches pose several questions for the audience: What are they planning? Who is Macbeth? What do they want from him?
  • Enigmatic opening: use of pathetic fallacy as the witches enter.
  • Rhythmic language, deliberate form: use of chants links in with the supernatural theme
  • Use of weather- sinister setting.
Scene 2
  • Captain glorifies not only Macbeth, but glorifies war.
  • Pre-concieved ideas before meeting Macbeth
  • Reliability of Captain's story? He is close to death, may not be thinking straight.
  • Military propaganda?
  • line 35; description of Macbeth. His character is made up of many different aspects
  • line 37; eager to fight
Scene 3
  • Macbeth can be seen from different angles after hearing the prophecy: hopeful, confused, intrigued, plotting.
  • Stage directions: use of "(aside)" shows how Macbeth is contemplating this new information
  • appears consumed in thought
  • pathetic fallacy used again as witches enter
  • witches portrayed as evil. inhumane.
  • line 31-36: use of rhyming, child-like. contrast with the witches
  • Macbeth wants to know more: "Speak, I charge you!"
Scene 4
  • Audience being influenced to think Macbeth is trustworthy
  • Line 50; language changes from prose to poetry
Scene 5
  • Lady Macbeth: posses the ambition that Macbeth lacks, she wants the best; she appears to be a bad influence; is she always the driving force in the marriage?; use of violent imagery shows an insight into her thoughts; is this a full picture of her character?
  • use of letter to open scene shows how Macbeth and Lady Macbeth can be considered two sides to the same character
  • no ambiguity to Lady Macbeth's character
  • Lady Macbeth is the main focus; represents dominance in relationship
  • Lady Macbeth, catalyst to the plan of murder?
  • How in-tune are their thoughts? How do we know Macbeth isn't thinking what Lady Macbeth is saying?
  • Lady Macbeth perceived as masculine. Unexpected of the woman at the time
  • Lady Macbeth appears to be the representation of evil. Unconventional.